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Composer
Experimentalist
Performance & Music Theater Artist
Caring Collaborator
Teacher
Festival Curator

works & projects

projekte.
Ole Hübner_3_© Saskia Matejke.jpg

about

“In hybrid sound spaces, instrumental, vocal, electronic, scenic and visual, analog and digital can meet in inhospitable density and intensity. But something is different from many emphatically ‘immersive’ products of contemporary music, which nowadays not infrequently fall prey to a certain superficiality. Something in Hübner’s restless mélange of immediate expressivity and associative reality-blinding seems more urgent, even poetic, than elsewhere. Perhaps this is because ‘theater’ has such great signifi­cance for Hübner, not in the sense of genre and urban institution, but as a principally open space for artistic action and experimentation. And this space is usually not a virtual one, but a space of confronta­tion … a confrontation, admittedly, that works primarily with hints and intangibles.”

– Dirk Wieschollek, nmz 12/2019

Eloain Lovis Hübner (1993, they/them; formerly known as Ole) studied composition (Hanover, Cologne) and holds a master’s degree from the Giessen Institute for Applied Theater Studies (with Heiner Goebbels et al.). Besides attending several master classes (including Tzlil Meudcan Tel Aviv 2016 with Chaya Czernowin and José María Sánchez-Verdú), Eloain completed a postgraduate program in  Dresden (with Stefan Prins and Manos Tsangaris) and Oslo (with Trond Reinholdtsen et al.) in 2022. Eloain is a member of the paranormal ϕeer group (sound/space-based performances, with Maria Huber & Jakob Boeckh) and The Navidsons (music theater, with Tassilo Tesche & Till Wyler von Ballmoos) and regularly collaborates with artists such as Kapitolina Tsvetkova (scenography/staging), Raphael Jacobs (poetry/dramaturgy/costume) or Johannes Schropp (choreography/performance).

Eloain has been involved in inter/transdisciplinary productions such as The Navidson Records (Munich Biennale / Bern Theatre 2016), Orpheus Moments (Venice Biennale 2017), вепрь и рыба (Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre Moscow 2018), Revolutions Per Minute (Gallus Theater Frankfurt 2019), Ødipus REC. (Gare du Nord Basel / Tojo Theater Bern 2020), Staying Broken (Elbphilharmonie Hamburg 2020), Befriending Ghosts – Digital Hauntings (Volksbühne Berlin Digital / HAU4 @ Performing Arts Festival Berlin 2021), ALICE (Espace K Strasbourg 2021 / Theater Eurodistrict Baden Alsace / Konzerthaus Berlin 2022), Fairytales Of Economic Growth (Opéra Orchestre National Montpellier 2021), Geht dann gleich los (HELLERAU – Europäisches Zentrum der Künste Dresden 2021), Loss of Signal (of course I still love you) (MS Stubnitz Hamburg / Next Level Festival for Games Essen 2021 / BAM! Berliner Festival für aktuelles Musiktheater 2022), ϕeerroom (SPARK Festival Cologne / 49h Stimme X Hamburg 2022), and Yes! Yes! Yes! (HELLERAU – Europäisches Zentrum der Künste Dresden 2023). Among them are immersive sound/space concepts, an online installation, durationals, music theater for children, a theory opera, participative formats and collaborations with amateurs. The opera opera, opera, opera! revenants and revolutions (libretto: Thomas Köck) was created for the Munich Biennale 2020 but has remained unperformed due to the Covid-19 pandemic.

Eloain is also committed to concert music and has worked with groups such as Klangforum Wien, Ensemble Modern, Decoder Ensemble, NAMES Ensemble, Ensemble Proton Bern, Arditti Quartet, Airborne Extended, as well as with numerous soloists. Vocal music plays a central role; for instance, in 2023 Eloain realizes several projects with AuditivVokal Dresden as composer in residence. Previous and planned CD projects include participation in the Decoder Ensemble’s BIG DATA album (Wergo, 2019) and trombonist Mikael Rudolfsson’s new solo album (2023), as well as a portrait album in the Edition Zeitgenössische Musik of the Deutscher Musikrat (Wergo, 2024/25). Eloain’s complete works are published exclusively by Edition Juliane Klein, Berlin.

Since 2018 Eloain has held teaching positions for composition and interdisciplinary practice at the University of Giessen and the Academy of Performing Arts Baden-Württemberg. As tutor at the Dresden College of Music, they led two performance projects and gave main subject lessons in composition. Eloain has been curator of the Musik 21 Festival in Lower Saxony since 2021 and is a spokesperson of the German-wide Netzwerk Freies Musiktheater. Awards and grants include the 63rd Composition Prize of the Federal State Capital of Stuttgart 2018, a commission prize at the composition competition of the impuls Festival Graz 2019, a residency scholarship to the Villa Aurora Los Angeles 2019, a federal scholarship to the Cité Internationale des Arts Paris 2019/20, the Bremen Composers Prize of the Landesmusikrat Bremen 2020, a residency scholarship to Künstlerhof Schreyahn 2022/23, the Deutscher Musikautor*innenpreis 2022, and the 1st Prize in the International Composition Competition of the City of Homburg 2023.

Learn more in this portrait video produced in 2021 by the AVL Cultural Foundation:

The GEMA produced this award video as part of the Deutscher Musikautor*innenpreis 2022:

über mich.
Ole Huebner 2 c. Kevin Riedl.jpg

dates & events

  • 2024/25
    New CD coming in June 2024! Mikael Rudolfsson: Encounter Works for trombone by Gérard Grisey, Luciano Berio, Eloain Lovis Hübner (Vier kurze Stücke für erweiterte Posaune | Four Short Pieces for Extended Trombone), Bernhard Gander and Konstantia Gourzi NEOS Music in coproduction with WDR May 23, 2024, Médiathèque Cronenbourg Strasbourg Ptitécouti Music theater for very young audience (0-3 years) by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner Ayako Okubo, performance June 20, 2024, 8.00 pm June 21, 2024, 8.00 pm, Amphithéâtre Olivier Messiaen, Opéra Bastille Paris Ostufer: Wohnblock IV (2020-22) staged by Raphael Jacobs June 22, 2024, 12.00 noon-2.00 pm June 23, 2024, 12.00 noon-2.00 pm, several locations in the city of Göttingen, festival horizonte Kreuzungen live installation for four orchestra groups (2023/24, world premiere) Göttinger Symphonieorchester June 25, 2024, 8.00 pm, Unerhörte Musik, BKA-Theater Berlin Edition Juliane Klein portrait concert: Elnaz Seyedi, Eloain Lovis Hübner & Favorites Trauma und Zwischenraum 3 Four Pieces for Extended Trombone and pieces by Elnaz Seyedi, Sarah Nemtsov and Caspar Johannes Walter Ensemble LUX:NM September 28 - October 12, 2024, Kunstpunkt Berlin 25th anniversary of Edition Juliane Klein Events with Eloain Lovis Hübner: October 2, 6.00 pm: Back on Stage, solo performance on various instruments and electronics (2024, world premiere) October 6, 7.00 pm: Workshop on funding programs and competitions for composers in Germany (together with Sina Miranda, German Music Council / Deutscher Musikrat) October 23, 2024, 7.00 pm, Kunsthalle Bielefeld MASSEN (2024, world premiere) full-length scenic concert installation electronic ID November 7-10, several locations in Helmstedt Musik 21 Festival 2024: ÜBERGÄNGE Concerts, performances, durationals, installations by & with Ensemble L’ART POUR L’ART, Eva Zöllner & Heather Roche, Untere Reklamationsbehörde, Anda Kryeziu & E-MEX Ensemble, Marijana Janevska & Bartosz Przybylski, Ensemble Via Nova and many more Artistic director: Eloain Lovis Hübner November 7, 6.00 pm, Musik 21 Festival, Klosterkirche St. Marienberg Helmstedt New piece for organs and ensemble (2024, world premiere) Ensemble L’ART POUR L’ART Kerstin Petersen, Dominik Susteck, Mathias Michaely, organs January 31 / February 1, Schwankhalle Bremen New piece (2023/24, world premiere) Schwankcore Bremen Part of the project "Songs of Climate", funded by Fonds Soziokultur February 2, 2025, SONIC MATTER, Toni-Areal Zurich New piece for ten voices and electronics (2023/24, world premiere) Vokalensemble Zürich Peter Siegwart, director Leandro Gianini, audio engineer
  • 2024
    April 8/9, 2024: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | La Passarelle – Le Trèfle Rixheim) March 27, 2024: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | 13e sens Obernai) March 21, 2024: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Le Gueulard Plus Nilvange) March 10, 2024: Four Pieces for Extended Trombone (WDR3 Studio Neue Musik / Mikael Rudolfsson, extended trombone) March 10, 2024: Trauma und Zwischenraum 1 (RTS Musique d’avenir, broadcast of the performance on March 4, 2024, at SMC Lausanne / airborne extended) March 4, 2024: Trauma und Zwischenraum 1 (SMC Societé de Musique Contemporaine Lausanne / airborne extended) January 31, 2024: ostufer // pizza nicht unter der woche (on poems by Raphael Jacobs, SR2 KulturRadio broadcast of the world premiere on November 12, 2023 at Saalbau Homburg / Homburger Sinfonieorchester / Elizabeth Wiles, soprano / Jonathan Kaell, conductor)
  • 2022/23
    December 17: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Le DOC Aurseulles) December 15: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Médiathèque Elsau Strasbourg) December 12, 2023: selbstorganisationen (Dreikönigskirche Dresden | AuditivVokal Dresden | Olaf Katzer, conductor) December 11, 2023: selbstorganisationen (Dom zu Freiberg | AuditivVokal Dresden | Olaf Katzer, conductor) December 7, 2023: selbstorganisationen (world premiere, Bergkirche Seiffen | AuditivVokal Dresden | Olaf Katzer, conductor) November 12, 2023: ostufer // pizza nicht unter der woche (world premiere, lyrics by Raphael Jacobs, Saalbau Homburg | Homburger Sinfonieorchester | Elizabeth Wiles, soprano | Jonathan Kaell, conductor) November 9-12, 2023: Musik 21 Festival 2023: KIPPPUNKTE (Kulturzentrum FAUST Hanover | Eloain Lovis Hübner, artistic director) November 3/4, 2023: Opening Chorus and other excerpts from Yes! Yes! Yes! Die Fernsehshow (2. Symposium Sächsische Schulchöre, Dresden College of Music | Der Jugendchor Heidenau | Max Röber, conductor) October 25, 2023: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Médiathèque Les Triboques Brumath) October 21, 2023: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Médiathèque Hautepierre Strasbourg) October 19, 2023: [untitled] (world premiere, Remus Georgescu International Music Festival, Biserica Sfânta Ecaterina din Timișoara | AuditivVokal Dresden | Olaf Katzer, conductor) October 11, 2023: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Le Triangle Huningue) September 17, 2023: crunch modes 2.0 (Kuppelhalle Tharandt | Continuum XXI | music students from Musik-, Tanz- und Kunstschule Bannewitz | Alberto Arroyo, conductor) September 16, 2023: crunch modes 2.0 (world premiere, Bürgerhaus Bannewitz | Continuum XXI | music students from Musik-, Tanz- und Kunstschule Bannewitz | Alberto Arroyo, conductor) September 12, 2023: crunch modes 1.0 (Ö1, radio broadcast of the world premiere on September 7, 2023 at Klangspuren Schwaz | Schallfeld Ensemble | Leonhard Garms, conductor) September 10, 2023: excerpts from Yes! Yes! Yes! Die Fernsehshow (HELLERAU – Europäisches Zentrum der Künste Dresden | AuditivVokal Dresden | Olaf Katzer, conductor) September 7, 2023: crunch modes 1.0 (world premiere, Klangspuren Schwaz, SZentrum Schwaz | Schallfeld Ensemble | Leonhard Garms, conductor) August 23-27, 2023: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Harmony Hall Fukui/Japan) July 24, 2023: Trauma und Zwischenraum 1 (Impuls Festival, MUMUTH Graz | airborne extended) June 7/8/9/10, 2023: Ptitécouti (music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Espace Django Strasbourg) May 6, 2023: Yes! Yes! Yes! Die Fernsehshow (world premiere, theory opera by Eloain Lovis Hübner, Sebastian Hanusa, Ferdinand Vicončaij and Johannes Schropp | HELLERAU – Europäisches Zentrum der Künste Dresden | AuditivVokal Dresden, director: Olaf Katzer | Europa Chor Akademie Görlitz, director: Jan Hoffmann | Der Jugendchor Heidenau, director: Max Röber | Nikolas Stäudte, TV host | Maja Dshemuchadse, Luise Neuhaus-Wartenberg, Martin Maria Krüger, Friedrich Hausen, Dirk Baecker, jury of experts) March 2/3, 2023: Ptitécouti (world premiere, music theatre for very young audience by Ayako Okubo, Kapitolina Tsvetkova, Olivier Maurel and Eloain Lovis Hübner | Espace K Strasbourg) February 2023: Queer(ing) Environments. Räume bauen, Posaunen zerlegen und Shanties singen (essay in the SELBSTlaut self-portrait series, published in MusikTexte 176) December 22, 2022: Gestalt und Zersetzung 1 (world premiere, Ehrbar-Saal Vienna | Elisabeth Müller, accordion) December 6, 2022: SWR2 Tandem: Ole Hübner (portrait radio show with talks and music | SWR Kultur) November 17, 2022: Staying Broken. Stimmbruch als revolutionärer*s Moment (sound-based lecture performance by the paranormal φeer group & Neo Hülcker | KM28 Berlin | Neo Hülcker, performance) November 12, 2022: Masse und Bewegung 6 »KANON« (world premiere, Hanover University of Music, Drama and Media | Julian Becker, organ | Artur Kuban, double bass | Fabian Paul, percussion | students and alumni of the Institute for the Early Advancement of the Musically Highly Gifted (IFF) of the Hanover University of Music, Drama and Media | Mert Yalniz, Fabian Tavernise, Martin Brauß, conductors) November 5, 2022: Ja, ich bin da im Shantychor! (performative concert for & with shanty choir | Landeschorfest Bremen, Kulturkirche St. Stephani Bremen | Neustädter Shanty-Chor | Coco Joura, conductor) October 14/15/16, 2022: ALICE (music theater for vocal artist, small ensemble, self-built instruments and sound objects by Ole Hübner, Kapitolina Tcvetkova and Jürgen Genuit | HANATSUmiroir & Frauke Aulbert | Konzerthaus Berlin) July–September 2022: in residence @ Künstlerhof Schreyahn (scholarship from the Lower Saxony Ministry of Science and Culture) September 22-25, 2022: Musik 21 Festival 2022: RADIKALE (artistic direction: Ole Hübner | Wilhelmshaven: Kunsthalle, TheOs, and public space) September 23, 2022: Vier kurze Stücke für erweiterte Posaune | Four Short Pieces for Extended Trombone (world premiere, TheOs Wilhelmshaven, Musik 21 Festival 2022 | Mikael Rudolfsson, trombone) September 17/18, 2022: Ja, ich bin da im Shantychor! (world premiere, performative concert for & with shanty choir | Schwankhalle Bremen | Neustädter Shanty-Chor | Coco Joura, conductor) May 31, 2022: Masse und Bewegung 3 (radio broadcast of the world premiere on August 16, 2021, at IMPULS Festival Graz | Ö1 Zeit-Ton | Klangforum Wien | Bas Wiegers, solo conductor) May 13-15, 2022: φeerroom (interactive space installation by the paranormal φeer group & φriends, feat. Nathalie Schatz | 49h Stimme X Festival, LICHTHOF Theater Hamburg) April 7-10, 2022: φeerroom (world premiere, interactive space installation by the paranormal φeer group & φriends, feat. Nathalie Schatz | SPARK Festival für aktuelles Musiktheater, Alte Feuerwache Köln) April 7/8/9, 2022: Loss of Signal (of course I still love you) (interactive music theater performance & installation by the paranormal φeer group with Amélie Haller, Maria Marstal, Lydia Schmidl and Felix Stachelhaus | BAM! Berliner Festival für aktuelles Musiktheater, Volksbühne Berlin) March 30, 2022: Fairytales of Economic Growth (music theater by Ole Hübner, Mathilda du Tillieul Mc Nicol and Jay Yule | online stream of the world premiere on June 27, 2021, at Opéra Comédie Montpellier | Anthea Pichanick, Fabien Hyon, Luduvic Nicot, Pia Segerstam, Pascal Martin, Aurélie Saraf, Sora Elisabeth Lee) March 24, 2022: Award Ceremony of the Deutscher Musikautor*innenpreis 2022 (Ole Hübner received the award in the category “Nachwuchs Ernste Musik / Newcomer Serious Music”) February 6, 2022: ALICE (music theater by Ole Hübner, Kapitolina Tcvetkova and Jürgen Genuit | Theater Eurodistrict Baden Alsace | HANATSUmiroir | Frauke Aulbert, voice & performance) January 14/15, 2022: Masse und Bewegung 5 »QUARTETT« (world premiere, Dresden College of Music, concert hall | orchestra of the Dresden College of Music | Tim Fluch, Katharina Dickopf, Filip Urban, Xincao Zhang: conductors) January 12, 2022: Trauma und Zwischenraum 1 (brick 5 Vienna | Airborne Extended)
  • 2020/21
    November 30, 2021: Trauma und Zwischenraum 3 (Unerhörte Musik | BKA-Theater Berlin | Ensemble Kompopolex) November 26-28, 2021: Loss of Signal (of course I still love you) (interactive music theater installation by the paranormal φeer group | Next Level Festival for Games Essen | Amélie Haller, performance | Maria Marstal, voice/electronics | Lydia Schmidl, accordion | Miguel Ángel García Martín, percussion/objects | Philipp Krebs, live sound engineering) November 25, 2021: ALICE: Introduction (concert excerpt from the music theatre ALICE based on a text by Jürgen Genuit | Nordlied Festival | Elbphilharmonie Hamburg | Frauke Aulbert, voice) November 4, 2021: The Followers of Ø: To arms! To arms! (collaboration as a guest performer and crew member of Trond Reinholdtsen’s The Norwegian Opra) October 28, 2021: Trauma und Zwischenraum 1 (world premiere | CROSSROADS International Contemporary Music Festival, Mozarteum University Salzburg | airborne extended) October 3, 2021: Trauma und Zwischenraum 3 (world premiere | Sacrum Profanum Festival, ICE Kraków Congress Center | Ensemble Kompopolex) September 21, 2021: Masse und Bewegung 4 (world premiere | Dampfzentrale Bern | Ensemble Proton Bern) September 9-12, 2021: Musik 21 Festival 2021: REALITÄTEN | REALITIES (artistic direction: Ole Hübner | Kulturzentrum FAUST Hanover) August 28/29, 2021: Loss of Signal (of course I still love you) (world premiere, interactive music theater installation by the paranormal φeer group | MS Stubnitz Hamburg | Amélie Haller, performance | Julia Mihály, voice/electronics | Lydia Schmidl, accordion | Miguel Ángel García Martín, percussion/objects | Philipp Krebs, live sound engineering) August 16, 2021: Masse und Bewegung 3 (world premiere | Impuls Festival, Helmut List Halle Graz | Klangforum Wien | Bas Wiegers, solo conductor) July 24/25, 2021: Geht dann gleich los (world premiere, space/sound installation by Antonia Krull, Claudine Walter and Ole Hübner | HELLERAU – Europäisches Zentrum der Künste Dresden) June 27, 2021: Fairytales of Economic Growth (world premiere, short opera / dance theater by Mathilda du Tillieul McNicol, Jay Yule and Ole Hübner | Opéra Comédie / Opéra Orchestre National Montpellier / Jay Yule, Anthea Pichanick, Fabien Hyon, Aurélie Saraf, Pascal Martin, Ludovic Nicot, Pia Segerstam, Sora Elisabeth Lee) June 11/12, 2021: ALICE (world premiere, music theater by Ole Hübner, Jürgen Genuit and Kapitolina Tcvetkova | Espace K Strasbourg | Frauke Aulbert & HANATSUmiroir) May 27-30, 2021: Befriending Ghosts – Digital Hauntings(interactive online installation/performance by the paranormal φeer group with a cameo appearance of Armen Avanessian and live performances by Neo Hülcker & Buraq Ertuerk | HAU4 – digital stage of HAU Hebbel am Ufer @ Performing Arts Festival Berlin) May 26, 2021: Trauma und Zwischenraum 2 (world premiere | Dresden College of Music | Arditti Quartet) May 3-21, 2021: Befriending Ghosts – Digital Hauntings (interactive online installation/performance by the paranormal φeer group with a cameo appearance of Armen Avanessian | “Armen Avanessian & Enemies” series, #91, Volksbühne Berlin digital) April 8, 2021: “Die langwierige Methode des Ausdiskutierens” – kommunikative und kollaborative Arbeit im Musiktheater / “The Lengthy Method Of Negotiation” – Communicative And Collaborative Work In Music Theater (essay, input video and panel at the digital 74th Spring Conference of the Darmstadt Institute for Contemporary Music and Music Education) April 4, 2021: Ødipus REC. (music theater by The Navidsons | live stream from the Theater im Pumpenhaus Münster | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate) January 12, 2021: Ole Hübner: gleichberechtigt, gleichzeitig, gleichgestellt (radio portrait by Kristin Amme on BR-Klassik “Horizonte”) December 2, 2020: Ole Hübner: gleichberechtigt, gleichzeitig, gleichgestellt (radio portrait by Kristin Amme on SRF 2 Kultur “Musik unserer Zeit”) November 12, 2020: opera, opera, opera! revenants and revolutions (radio broadcast on BR-Klassik of excerpts from the opera based on a libretto by Thomas Köck | moderation: Bettina Volksdorf | Miriam Knackstedt, Philine Götz, Michael Taylor, Robert Sellier, Michael Zehe, children’s/youth choir and chorus of the Oper Halle, Staatskapelle Halle | Maximiliano Estudies, live electronics | Michael Wendeberg, conductor | Michael Leverkus, audio engineering and recording director) October 24, 2020: opera, opera, opera! revenants and revolutions (radio broadcast on MDR Kultur & MDR Klassik of excerpts from the opera based on a libretto by Thomas Köck | moderation: Bettina Volksdorf | Miriam Knackstedt, Philine Götz, Michael Taylor, Robert Sellier, Michael Zehe, children’s/youth choir and chorus of the Oper Halle, Staatskapelle Halle | Maximiliano Estudies, live electronics | Michael Wendeberg, conductor | Michael Leverkus, audio engineering and recording director) October 12/13, 2020: Hungermünder (world premiere, music theater & performative installation by Elli Neubert, Hannah Mey, Johanna Winkler, Constanze Negwer, Jakob Boeckh and Ole Hübner | Hamburg University of Music and Drama | Maria Marstal, Nguyễn Nhật Linh, Ina Vöhringer, performance | Caroline Breuninger, key instruments | Gabriel Fischer, percussion) October 12, 2020: Extinction Events (radio broadcast by Dirk Wieschollek on SWR2 “JetztMusik”, featuring Ole Hübner, among others) September 28, 2020: Staying Broken. Stimmbruch als revolutionärer*s Moment (world premiere, sound-based lecture performance by the paranormal φeer group & Neo Hülcker | Festival für immaterielle Kunst, Elbphilharmonie Hamburg | Neo Hülcker, live performance | Donny Karsadi, audio engineering) June 16, 2020: Kompositionskollektive bei der Münchener Biennale / Composing Collectives at the Munich Biennale (radio broadcast by Svenja Wieser on BR-Klassik, featuring Ole Hübner, among others) June 12, 2020: Schützraum – ein musikalisches Äthernettheater (online concert by & with AuditivVokal Dresden including collective compositions from the Hybrid Music Lab of the Dresden College of Music: Ole Hübner, Beniamino Fiorini, Sol-i So, Volker Sondermann, Ziteng Ye, Sowon Yun, Daniel Muñoz-Osorio, Jaei Hyuk-Ra) June 3, 2020: Musiktheater im Entstehen – Münchener Biennale / Music Theater In The Making – Munich Biennale (radio broadcast by Thomas Meyer on SRF 2 Kultur “Musik unserer Zeit”, featuring Ole Hübner, among others) February 2, 2020: 30 Seconds of Noise [untitled] (part of the soundinstallation trugschluss brausebad of the trugschluss collective | MPhil 360° Festival, Muffatwerk Munich) February 1, 2020: BIG DATA (radio broadcast by Egbert Hiller on Deutschlandfunk “Atelier Neuer Musik” about the new CD of Decoder Ensemble, including Ole Hübner & Charlotte Bösling: Lied mit Chor: »Nachtigall mit Melodei«) January 23/24/25, 2020: Ødipus REC. (music theater by The Navidsons | Tojo Theater Bern | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate) January 18/19, 2020: Ødipus REC. (world premiere, music theater by The Navidsons | Gare du Nord Basel | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate)
  • 2018/19
    November 1, 2019 - April 30, 2020: in residence @ Cité Internationale des Arts Paris (scholarship from the Hessian Ministry of Higher Education, Research and the Arts) August 2 - October 28, 2019: in residence @ Villa Aurora Los Angeles (scholarship from the Villa Aurora & Thomas Mann House e.V.) August 15, 2019: study with virtual instruments (German premiere | KunstKulturKirche Frankfurt am Main | electronic ID) June 8, 2019: Masse und Bewegung 1 (world premiere | Gare du Nord Basel | Ensemble Phœnix | Jürg Henneberger, conductor) February 27, 2019: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (radio broadcast on SWR 2 “JetztMusik” of the concert on February 6, 2019, at Theaterhaus Stuttgart | Klangforum Wien | Mathis Bossert, Simon Kluth, Sarah Palarczyk, Jonathan Peller, live speakers | Bas Wiegers, conductor) February 6, 2019: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (laureate concert of the 63rd Composition Prize of the Federal State Capital of Stuttgart | ECLAT Festival, Theaterhaus Stuttgart | Klangforum Wien | Mathis Bossert, Simon Kluth, Sarah Palarczyk, Jonathan Peller, live speakers | Bas Wiegers, conductor) February 6, 2019: Ole Hübner: Preisträger beim Festival ECLAT in Stuttgart / Laureate at the ECLAT Festival in Stuttgart (radio portrait by Karin Gramling on SWR 2) January 11/12/15, 2019: Revolutions Per Minute (world premiere, object and music theater by Ole Hübner, Leander Ripchinsky and Niels Wehr | Gallus Theater Frankfurt am Main | Julia Mihály, voice & performance | Sarah Heemann, flutes & performance | Niels Wehr, performance | Ole Hübner, audio engineering) December 8/9, 2018: вепрь и рыба / Boar and Fish (world premiere, short opera by Ole Hübner, Kira Malinina and Kapitolina Tcvetkova | Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theater | interACTive Vocal Ensemble | GAMEnsemble | Oleg Paiberdin, conductor) December 8, 2018: Kammersymphonie Nr. 1 / Chamber Symphony No. 1 (world premiere | CROSSROADS Festival, Mozarteum University Salzburg | NAMES Ensemble | Oscar Jockel, conductor) November 16, 2018: Pewnego dnia wszystko to zmieści się w mniejszej torebce / One Day It Will All Fit In A Smaller Purse (radio play in collaboration with Tamara Antonijevic and Małgorzata Wdowik | Festival Interpretacje Katowice) November 10, 2018: Hessen hören 35: Wandertag – Auf ein Bier nach Lich (worldpremiere, radio play in the “Artist’s Corner” series on HR2-Kultur) October 30, 2018: Mehrfachbelichtungen: Der Komponist Ole Hübner / Multi-Exposures: The Composer Ole Hübner (radio portrait by Michael Rebhahn on Deutschlandfunk Kultur) July 4, 2018: Mehrfachbelichtete Melodramen (Greek National Opera Athens | Frauke Aulbert, voice & performance | Donny Karsadi, audio engineering) June 30, 2018: Pewnego dnia wszystko to zmieści się w mniejszej torebce / One Day It Will All Fit In A Smaller Purse (radio play in collaboration with Tamara Antonijevic and Małgorzata Wdowik | Dwa Teatry Festival Sopot) June 21, 2018: »Postkrachohrennachklangstille« (S. 1493) (world premiere, collaboration with Jakob Boeckh | Cologne University of Music and Dance | Ramón Gardella, percussion | Maximiliano Estudies, coding & audio engineering | percussion class of the Cologne University of Music and Dance, noise makers) June 7, 2018: Introducing: Ole Hübner (radio portrait by Michael Rebhahn on HR2-Kultur) May 20/21, 2018: Ødipus REC. Open Guerilla Workstation (artistic interventions and public work space of The Navidsons| Operadagen Rotterdam) May 18, 2018: music for in-space reception #1 (world premiere | Split Art Convention, Town Museum of Split | S/UMAS Ensemble) April 27/28, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | German Stage Service Marburg) March 22, 2018: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (radio broadcast on HR2-Kultur of the concert on November 26, 2017, at the HR-Sendesaal Frankfurt am Main | Ensemble Modern | Enno Poppe, conductor | Norbert Ommer, audio engineering) March 10, 2018: This Place (Zentrum für internationale Lichtkunst Unna | Helen Bledsoe, bass flute) March 4, 2018: Orpheus Moments (music theater by Friederike Blum, Jakob Boeckh, Ole Hübner and Tassilo Tesche | radio broadcast on RAI Radio 3 of the performance on October 6, 2017, at Teatro Piccolo Arsenale Venice | Julia Mihály, Michael Taylor, Pablo Bottinelli, Timotheus Maas | Ex Novo Ensemble | Filippo Perocco, conductor) February 21, 2018: x.y FM (radio broadcast of Ensemble x.y on Resonance Extra | Richard Hames in conversation with Ole Hübner, part 2) February 10, 2018: Mehrfachbelichtete Melodramen (“TonArt” series, Villa Nagel Esslingen | Frauke Aulbert, voice & performance | Donny Karsadi, audio engineering) February 8/9, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Maschinenhaus Essen) February 2/3/4, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Studiobühne Köln/Cologne) January 19/20/21, 2018: These Days [There Is No Time Here, Not Any More] (world premiere, theater performance by Philipp Bergmann, Thea Reifler, Malte Scholz, Ole Hübner and Marie Meyer | Künstlerhaus Mousonturm Frankfurt am Main)
  • 2016/17
    December 18, 2017: JetztMusik Jahresrückblick Neue Musik 2017 (“best of contemporary music 2017” radio broadcast on SWR 2 by Björn Gottstein, Lydia Jeschke, Bernd Künzig and Michael Rebhahn, including Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer by Ole Hübner) December 15/16, 2017: Future Perfect Club (world premiere, theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Ringlokschuppen Mülheim an der Ruhr) December 6, 2017: x.y FM (radio broadcast of Ensemble x.y on Resonance Extra | Richard Hames in conversation with Ole Hübner, part 1) November 26, 2017: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (world premiere | cresc… biennale for contemporary music, HR-Sendesaal Frankfurt am Main | Ensemble Modern | Enno Poppe, conductor | Norbert Ommer, sound engineering) November 24, 2017: panel discussion “woher / musik / wohin” with Zeynep Gedizlioğlu, Malte Giesen, Martin Grütter and Ole Hübner, moderator: Stefan Fricke (cresc… biennale for contemporary music | foyer of the HR-Sendesaal Frankfurt am Main) November 21, 2017: Mehrfachbelichtete Melodramen (ON – Neue Musik at the Alte Feuerwache, Cologne | Frauke Aulbert, voice & performance | Ole Hübner, sound engineering) November 18, 2017: Mehrfachbelichtete Melodramen (Elbphilharmonie Hamburg | Frauke Aulbert, voice & performance | Donny Karsadi, sound engineering) October 15, 2017: Das musikalische Ausrufezeichen / The Musical Exclamation Mark (radio broadcast by Leonie Reineke on Deutschlandfunk Kultur about “the fanfare as acoustic signal, musical genre and aesthetic experiment”, including la désolation by Ole Hübner) October 6, 2017: Orpheus Moments (world premiere, music theater by Friederike Blum, Jakob Boeckh, Ole Hübner and Tassilo Tesche | La Biennale di Venezia, 61st International Festival of Contemporary Music | Teatro Piccolo Arsenale Venice | Julia Mihály, Michael Taylor, Pablo Bottinelli, Timotheus Maas | Ex Novo Ensemble | Filippo Perocco, conductor) September 15, 2017: ørfeus 2.0 letzte szene (world premiere as a part of the performance ørfeus 2.0 by the ørfeus kollektiv, photo studio of the Hochschule Düsseldorf | Lorenz Rommelspacher, tenor | Yuval Dvoran, theorbo | Laura Zielke, cello | Lennard Schubert, sound engineering | Tibor Torell, staging) September 1, 2017: Lied mit Chor: »Nachtigall mit Melodei« (world premiere, collaboration with Charlotte Bösling | BIG DATA Weekend, Resonanzraum Hamburg | Decoder Ensemble) August 29, 2017: Musik als Praxis / Music as Practice (radio broadcast by Jim Igor Kallenberg on Deutschlandfunk Kultur about the musical aesthetics of Ferdinand Zehentreiter, including music by Ole Hübner, among others) August 20, 2017: la désolation (world premiere | Musik 21 Festival, Sprengel Museum Hannover | Ensemble Schwerpunkt) July 15, 2017: Zurück in die Gegenwart / Back to Future (radio broadcast by Hanno Ehrler on Deutschlandfunk “Atelier Neuer Musik” about younger currents and discourses of contemporary music, featuring Ole Hübner, Michael Maierhof and Martin Schüttler) June 18, 2017: Mehrfachbelichtete Melodramen (Festival Der Sommer in Stuttgart, Theaterhaus Stuttgart | Frauke Aulbert, voice & performance) June 13, 2017: Mehrfachbelichtete Melodramen (world premiere | “Unerhörte Musik” series, BKA-Theater Berlin | Frauke Aulbert, voice & performance) May 30, 2017: music for j. t. #5b: secret snares (“Unerhörte Musik” series, BKA-Theater Berlin | Ensemble LUX:NM) March 22, 2017: music for j. t. #5b: secret snares (Eva Clare Hall, University of Manitoba, Winnipeg | Ensemble LUX:NM) March 19, 2017: Pewnego dnia wszystko to zmieści się w mniejszej torebce / One Day It Will All Fit In A Smaller Purse (world premiere, radio play on Polskie Radio Trójka in collaboration with Tamara Antonijevic and Małgorzata Wdowik) March 19, 2017: music for j. t. #5b: secret snares (world premiere | Holy Trinity Anglican Church Edmonton | Ensemble LUX:NM) March 6, 2017: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | Lasalle College of the Arts Singapore | Julia Mihály, voice & performance) December 1/2/3/4/6, 2016: Die Irrfahrten des Odysseus (children’s theater play by Harriet Maria Meining & Peter Meining with music by Ole Hübner | Deutsche Oper Berlin, Tischlerei | Frauke Aulbert, Tom Quaas, Johannes Hendrik Langer, Jakob Kraze, René Liebert, Leif Berger, Sebastian Berweck, Alexander Dawo, Nicola Hein, Ruth Velten, Ole Hübner) December 3, 2016: music for j. t. #1a: concerto grosso (WERFT – Kölner Ensemblefestival für Neue Musik, KOMED-Saal im Mediapark 7, Cologne | electronic ID | Yorgos Ziavras, conductor | Maximiliano Estudies, audio engineering) October 21, 2016: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | KunstKulturKirche Frankfurt am Main | Julia Mihály, voice & performance | Ole Hübner, audio engineering) October 18, 2016: music for j. t. #1a: concerto grosso (world premiere | “Unerhörte Musik” series, BKA-Theater Berlin | electronic ID | Yorgos Ziavras, conductor | Ole Hübner, audio engineering) October 2016: From Space to Space (essay about a cultural-political utopia in the contemporary music journal SEILTANZ) September 8/10/11, 2016: The Navidson Records (music theater by The Navidsons | Konzert Theater Bern, Grosse Halle @ Reitschule Bern) June 14, 2016: low_res_adventure (film by David Erik Ronner with music by Ole Hübner | Filmsommer-Festival, Philosophikum II at Justus Liebig University Giessen) June 13, 2016: margins (film by Charlotte Bösling with music by Ole Hübner | Filmsommer-Festival, Philosophikum II at Justus Liebig University Giessen) June 13, 2016: analogue/grave (world premiere | Tzlil Meudcan Festival, HaTeiva Hall Tel Aviv-Yafo | Antoine Françoise & Gilles Grimaître, pianos & performance) May 29/30/31, June 1/2/3: The Navidson Records (world premiere, music theater by The Navidsons| Münchener Biennale, Lothringer13 Halle Munich) May 21, 2016: this place (KOMED-Haus im Mediapark 7, Cologne | Helen Bledose, bass flute) May 17, 2016: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | “Trugschluss” series, Loft1 Marburg | Julia Mihály, voice & performance | Ole Hübner, audio engineering)
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