Complete List of Works
To help you search more specifically for certain instrumentations or formats, this catalog of works uses a hashtag system. Open the search function of your browser and type in #solo, #chamber, #ensemble, #orchestra, #vocal, #theater, #performance, #opera or #youngaudience to find corresponding works.
in progress:
(2023/24) for ten voices and electronics
25 minutes
world premiere: February 2, 2025, SONIC Matter Zurich, Vokalensemble Zürich (Peter Siegwart, conductor)
#vocal #ensemble
in progress:
(2023/24) for amateur choir
world premiere: 2024/25 tba, Schwankhalle Bremen, Schwankcore (Mara Hebel, conductor)
#vocal
Kreuzungen
(2023/24) live installation for four orchestra groups in public space
2 hours (total time)
world premiere: June 22/23, 2024, old city of Göttingen, Göttinger Symphonieorchester
#orchestra
(2023) for eight voices (S/S/A/A/T/T/B/B)
14 minutes
world premiere: December 7, 2023, Bergkirche Seiffen, AuditivVokal Dresden (Olaf Katzer, conductor)
#vocal #ensemble
crunch modes 2.0
(2023) for recorder, darbuka, harpsichord/Korg MS20 mini, violin, viola da gamba and a group of noisemakers
16 minutes
world premiere: September 16, 2023, Bürgerhaus Bannewitz
#ensemble
crunch modes 1.0
(2023) for bass flute, clarinet, soprano saxophone, percussion, piano, electric guitar, violin, viola, hyper-prepared cello, double bass (all players doubling sound objects) and live electronics
12 minutes
world premiere: September 7, 2023, Klangspuren Schwaz, Schallfeld Ensemble
#ensemble
(2022/23) concept album with 10 tracks based on recordings of improvised music
Eloain Lovis Hübner: concept, development, recording, production, etc.
Eloain Lovis Hübner: Korg MS-20 mini, electric guitar, violin, clarinet, trombone, accordion, field recording
58 minutes
release: May 2023 on Bandcamp
Yes! Yes! Yes! Die Fernsehshow
Chortheater um Masse, Macht und Mich
(2022/23) theory opera by Eloain Lovis Hübner (concept, composition), Ferdinand Vicončaij (concept, texts), Sebastian Hanusa (concept, dramaturgy) and Johannes Schropp (choreography), featuring music by Hans-Joachim Hespos; with AuditivVokal Dresden (Olaf Katzer, director), Europa Chor Akademie Görlitz (Jan Hoffmann, director), Der Jugendchor Heidenau (Max Röber, director), Nikolas Stäudte (showmaster), Luise Neuhaus-Wartenberg (expert for politics), Maja Dshemuchadse (expert for psychology), Friedrich Hausen (expert for philosophy), Dirk Baecker (expert for sociology) and Martin Maria Krüger (expert for music & society)
120 minutes
world premiere: May 6, 2023, HELLERAU – Europäisches Zentrum der Künste Dresden
#theater #performance
ostufer // pizza nicht unter der woche
(2022/23) for soprano and orchestra (3-2-3-2, 4-3-3-1, timp, 2perc, str), based on texts by Raphael Jacobs
10 minutes
world premiere: November 12, 2023, Saalbau Homburg, Elizabeth Wiles (soprano), Homburger Sinfonieorchester (Jonathan Kaell, conductor)
Awarded the 1st Prize in the Composition Competition of the City of Homburg 2023
#vocal #orchestra
Ptitécouti
(2022) music theatre for very young audience by Ayako Okubo (concept & performance), Kapitolina Tcvetkova (scenography & self-built instruments) and Eloain Lovis Hübner (composition & sound dramaturgy)
30 minutes
world premiere: March 2/3, 2023, Espace K, Strasbourg
#theater #youngaudience
(2022) for solo group (organ, percussion, double bass) and chamber orchestra (1-1-1-sax-0, 0-2-0-0, 2 pno, 2-2-2-0-0) in two groups
9 minutes
world premiere: November 12, 2022, Hanover University of Music, Drama and Media; students and alumni of the Institute for the Early Advancement of the Musically Highly Gifted (IFF); Julian Becker (solo organ)
#ensemble
Vier kurze Stücke für erweiterte Posaune
[Four Short Pieces For Extended Trombone]
(2022)
8 minutes
world premiere: September 23, 2022, Musik 21 Festival, TheOs Wilhelmshaven, Mikael Rudolfsson
#solo
BPM1
(2022) for Bohlen-Pierce metallophone, marimba, vibraphone, objects and amplification
8 minutes
#solo
Ein Abend für Shantychor mit Shantychor über Shantychor
(2021/22) performative concert scenes for shanty choir
30 minutes
world premiere: September 17/18, 2022, Schwankhalle Bremen, Neustädter Shanty-Chor Bremen (Coco Joura, conductor)
#vocal #performance
(2022) interactive hybrid space installation by the paranormal φeer group (Jakob Boeckh & Maria & Eloain Lovis Hübner) & φriends feat. Nathalie Schatz
10-60 minutes (individual length of stay)
world premiere: April 7, 2022, SPARK Festival Cologne
#theater #performance
(2021) for six voices (s/s/mez/t/bar/b)
9 minutes
world premiere: October 19, 2023, Remus Georgescu International Music Festival, Biserica Sfânta Ecaterina din Timișoara, AuditivVokal Dresden (Olaf Katzer, conductor)
#vocal #ensemble
(2021) for accordion, percussion/objects and electric guitar/synthesizer
18 minutes
world premiere: October 3, 2021, Sacrum Profanum Festival Kraków, Ensemble Kompopolex
#chamber
Loss of Signal (of course I still love you)
(2020/21) interactive sound/space based performative installation for/with performer, instruments, synthesizers, sound objects, audio/video electronics and audience by the paranormal φeer group (Jakob Boeckh & Maria Huber & Eloain Lovis Hübner) in collaboration with Amélie Haller, Julia Mihály, Lydia Schmidl and Miguel Ángel García Martín
60 minutes
world premiere: August 27, 2021, MS Stubnitz Hamburg
Supported by the Fonds Darstellende Künste with funding of the Federal Government Commissioner of Culture and Media and by the Claussen-Simon-Stiftung
#theater #performance
(2021) interactive space/sound installation by Antonia Krull, Claudine Walter and Eloain Lovis Hübner
5-20 minutes (individual length of stay)
world premiere: July 24, 2021, HELLERAU – Europäisches Zentrum der Künste Dresden
#theater #performance
Fairytales Of Economic Growth
(2021) short opera / dance theater for dancer/performer, alto, tenor, violin, cello, harp and percussion by Mathilda du Tillieul McNicol, Jay Yule and Eloain Lovis Hübner
15 minutes
world premiere: June 27, 2021, Opéra Comédie / Opéra Orchestre National Montpellier
#theater #opera
Befriending Ghosts – Digital Hauntings
(2020/21) interactive online installation/performance by the paranormal φeer group (Jakob Boeckh & Maria Huber & Eloain Lovis Hübner) with a cameo appearance of Armen Avanessian and live performances by Neo Hülcker & AUЯA
30-90 minutes (individual length of stay)
world premiere: May 3, 2021, Volksbühne Berlin digital
#theater #performance
Trauma und Zwischenraum 2
(2021) for string quartet with preparations and additional sound objects
15 minutes
world premiere: May 26, 2021, Dresden College of Music, Arditti Quartet
#chamber
Gestalt und Zersetzung 3
(2021) for bass tuba and audio playback
using a nightmare machine improvisation by Jakob Boeckh
6 minutes
#solo
Gestalt und Zersetzung 2
(2020/21) for alto flute and viola
7 minutes
#chamber
Gestalt und Zersetzung 1
(2020/21) for accordion
9 minutes
world premiere: December 22, 2022, Ehrbar-Saal Vienna, Elisabeth Müller
#solo
Masse und Bewegung 5 »QUARTETT«
(2020) for chamber orchestra (2-2-2-1, 3-2-0-1, 3 perc, 1 hp, 4-0-4-3-2) in four groups
11 minutes
world premiere: January 14, 2022, Dresden College of Music, Orchestra of the Dresden College of Music (Xincao Zhang, Katharina Dickopf, Tim Fluch, Filip Urban, conductors)
#orchestra
Trauma und Zwischenraum 1
(2020) for recorders (sopranino, tenor, prepared tenor, contrabass paetzold), flutes (piccolo, alto, bass), prepared harp and prepared harpsichord (all amplified)
12 minutes
world premiere: October 28, 2021, CROSSROADS Festival, Mozarteum University Salzburg, Airborne Extended
#chamber
Hungermünder
(2020) music theater and performative installation for three performers, piano/harpsichord/celesta and percussion by Elli Neubert, Hannah Mey, Johanna Winkler, Constanze Negwer, Jakob Boeckh and Eloain Lovis Hübner
60 minutes
world premiere: October 12, 2020, Hamburg University of Music and Drama
#theater #performance
Staying Broken
(2020) sound-based lecture performance by the paranormal φeer group (Jakob Boeckh & Maria Huber & Eloain Lovis Hübner) and Neo Hülcker
15 minutes
world premiere: September 28, 2020, Festival für immaterialle Kunst, Elbphilharmonie Hamburg, Neo Hülcker
Commissioned by Festival für immaterialle Kunst
#theater #performance
(2020) for six voices (s/mez/a/t/bar/b), based on a text by Raphael Jacobs
6 minutes
#vocal #ensemble
ostufer: wohnblock IV
(2020-22) song cycle for voice and piano based on texts by Raphael Jacobs
11 minutes
#vocal #chamber
Masse und Bewegung 4
(2020) for eight players with sound objects
12 minutes
world premiere: September 21, 2021, Dampfzentrale Bern, Ensemble Proton Bern
Commissioned by Ensemble Proton Bern
#ensemble
Masse und Bewegung 3
(2019-20) for clarinet (doubling bass/contrabass clarinet), saxophone, bassoon (doubling contraforte), trumpet, trombone, percussion, piano, harp, accordion, violin, viola, double bass and solo conductor
25 minutes
world premiere: August 18, 2021, impuls Festival, Helmut List Halle Graz, Klangforum Wien (Bas Wiegers, conductor)
Commissioned by impuls Festival Graz
#ensemble
Masse und Bewegung 2
(2017-20) for large orchestra (3-3-3-3, 4-3-3-1, 1 hrp, 1 timp, 3 perc, 1 pno, 10-10-10-8-6)
11 minutes
#orchestra
ALICE
(2018-21) music theater for voice artist, small ensemble, sound objects and self-built instrument by Eloain Lovis Hübner, Kapitolina Tcvetkova and Jürgen Genuit
60 minutes
world premiere: June 11, 2021, Espace K Strasbourg, Frauke Aulbert & HANATSUmiroir
Aide à l’écriture d’une œuvre musicale originale du Ministère de la Culture
#theater #youngaudience
opera, opera, opera! revenants and revolutions
(2017-20) opera for countertenor, children’s soprano, tenor, bass, children’s choir, mixed choir, orchestra, audio playback and live electronics by Eloain Lovis Hübner (composition), Thomas Köck (libretto), Jakob Boeckh and Maria Huber (co-conception)
2:30 hours
world premiere: cancelled due to the Covid-19 pandemic, production partners are still being searched
Commissioned by the Federal State Capital of Munich for the Münchener Biennale 2020
#theater #opera
Ødipus REC.
(2018-20) music theater for countertenor, actor, child actor and small ensemble by The Navidsons in collaboration with Lisa Danulat, Michael Taylor, Thomas Douglas, Frederic Schultze and Ensemble Lemniscate
70 minutes
world premiere: January 18, 2020, Gare du Nord Basel
#theater #opera
Masse und Bewegung 1
(2018/19) for piccolo (doubling bass flute), oboe, clarinet, bassoon (doubling contraforte), french horn, trumpet, trombone, percussion, piano (doubling melodica, kalimba), two violins, viola, cello and double bass (all players with additional sound objects, wind instruments with additional mouthpieces)
18 minutes
world premiere: June 8, 2019, Gare du Nord Basel, Ensemble Phœnix Basel
#ensemble
Revolutions Per Minute
(2018/19) object and music theater by Eloain Lovis Hübner, Leander Ripchinsky and Niels Wehr in collaboration with Sarah Heemann and Julia Mihály
60 minutes
world premiere: January 11, 2019, Gallus Theater Frankfurt am Main
#theater #performance
вепрь и рыба | Boar and Fish
(2018) short opera in Russian for three voices and small ensemble by Eloain Lovis Hübner, Kira Malinina and Kapitolina Tcvetkova
15 minutes
world premiere: December 8, 2018, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theater, interACTive Vocal Ensemble / GAMEnsemble
#theater #opera
Kammersymphonie Nr. 1 | Chamber Symphony No. 1
(2018) for alto flute (doubling objects), contrabass clarinet (doubling clarinet, additional clarinet mouthpiece and objects), percussion, piano, electric organ (Korg BX3), violin and cello (with preparation and scordatura)
11 minutes
world premiere: December 8, 2018, CROSSROADS Festival, Mozarteum University Salzburg, NAMES Ensemble
revised (2020) as Masse und Bewegung 0
for alto flute (doubling objects), bass clarinet (doubling clarinet, additional clarinet mouthpiece and objects), percussion, piano, electric guitar, violin and cello (with preparation and scordatura)
13 minutes
#ensemble
»Postkrachohrennachklangstille« (S. 1493)
(2017/18) for “percussion organ” (1 player), live electronics (1 player) and noise makers (3-5 players), by Eloain Lovis Hübner & Jakob Boeckh
18 minutes
world premiere: June 21, 2018, Cologne University of Music and Dance
#solo
Future Perfect Club
(2017) theater performance by Eloain Lovis Hübner, David Guy Kono, Saskia Rudat, Laura Strack, Wiebke Strombeck, Jascha Sommer and Klaas Werner
world premiere: December 15, 2017, Ringlokschuppen Mülheim an der Ruhr
#theater
Orpheus Moments
(2017) music theater for four performers, for singers, small ensemble and audio playback by Friederike Blum, Jakob Boeckh, Eloain Lovis Hübner and Tassilo Tesche
30 minuten
world premiere: October 6, 2017, La Biennale di Venezia, Teatro Piccolo Arsenale Venice
#theater #opera
ørfeus 2.0 letzte szene
(2017) for tenor, period instruments, audio playback and live electronics
10 minutes
world premiere: September 15, 2017, Hochschule Düsseldorf, Lorenz Rommelspacher & ørfeus kollektiv
#vocal #chamber
Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer
(2016/17, rev. 2018)
for large ensemble (1-1-2-1, 1-1-1-0, pno, keyb, 2 perc, 2-1-2-1), four live speakers, audio playback and live electronics
27 minutes
world premiere: November 26, 2017, HR-Sendesaal Frankfurt am Main, Ensemble Modern
Awarded the 63rd Composition Prize of the Federal State Capital of Stuttgart 2018
#ensemble
la désolation
(2017) for brass quintet
2 minutes
world premiere: August 20, 2017, Musik 21 Festival, Sprengel Museum Hanover, Ensemble Schwerpunkt
Commissioned by Musik 21 Niedersachsen
#chamber
la sabotage
(2017) for piano, electric organ and live electronics
1 minute
world premiere: February 24, 2018, online video production, NAMES Ensemble
#chamber
Pewnego dnia wszystko to zmieści się w mniejszej torebce | One Day It Will All Fit In A Smaller Purse
(2017) radio play by Małgorzata Wdowik (director), Tamara Antonijevic (text) and Eloain Lovis Hübner (composition & audio arrangement)
37 minutes
world premiere: March 19, 2017, Radio Polskie 3
Coproduction of Radio Polskie 3 and Instytut Teatralny im. Zbigniewa Raszewskiego
Mehrfachbelichtete Melodramen
(2016/17) for beatboxing voice artist, electronics and video
14 minutes
world premiere: June 13, 2017, Unerhörte Musik, BKA-Theater Berlin
Commissioned by the Elbphilharmonie Hamburg
#vocal #solo
Lied mit Chor: »Nachtigall mit Melodei«
(2016/17, rev. 2018) for voice artist, clarinet (doubling bass clarinet, AKAI EWI, vocal effects), piano, percussion, electric zither, cello, audio playback and live-electronic, by Eloain Lovis Hübner (concept & composition) and Charlotte Bösling (concept & video)
19 minutes
world premiere: September 1, 2017, BIG DATA Weekend, Resonanzraum Hamburg, Decoder Ensemble
Commissioned by Decoder Ensemble, funded by the Ernst von Siemens Musikstiftung
#vocal #ensemble
analogue/grave
(2016) for two pianos
10 minutes
world premiere: July 13, 2016, HaTeiva Hall Tel Aviv-Yafo, Tzlil Meudcan Festival
#chamber
The Navidson Records
(2015/16) music theater for two tenors, women’s choir, recorder, oboe, piano, electric guitar, harp, percussion, cello, audio playback and live electronics by The Navidsons (Maxine Devaud, Eloain Lovis Hübner, Kristian Hverring, Cyrill Lim, Kati Linek, Rosalba Quindici, Benedikt Schiefer, Tassilo Tesche, Till Wyler von Ballmoos)
Containing five individual pieces of music by Eloain Lovis Hübner:
-
music for j. t. #1: 29/05/2016 for electric guitar, cello, harp, piano, virtual piano and live electronics, 12 minutes
-
music for j. t. #1a: concerto grosso, arrangement of #1 for flute, clarinet, piano, electric guitar, viola, cello, double bass, virtual piano and live electronics
-
-
music for j. t. #2: footnote for tenor, percussion, audio playback and live electronics, 13 minutes
-
music for j. t. #3: passacaglia for two tenors and electric guitar, 12 minutes
-
music for j. t. #4: hollywood, 31/10/1998 for women’s choir, recorder, cello and percussion, 10 minutes
-
music for j. t. #5: appendix for oboe, two virtual oboes, audio playback and live electronics, 13 minutes
-
music for j. t. #5b: secret snares, arrangement for saxophone, trombone, accordion and audio playback
-
total duration of The Navidson Records: 6:00 hours
world premiere: May 29, 2016, Lothringer13 Halle Munich, Münchener Biennale 2016
Commissioned by the Federal State Capital of Munich for the Münchener Biennale 2016
#theater #performance
this place
(2015) for bass flute and audio/video playback
9 minutes
world premiere: December 1, 2015, Cologne University of Music and Dance
#solo
Die Irrfahrten des Odysseus
(2015) music for the theater play by Harriet Maria Meining & Peter Meining for saxophone, keyboard, improv electric guitar, improv percussion, improv double bass, voice artist and live electronics
90 minutes
world premiere: October 2, 2015, Deutsche Oper Berlin
Commissioned by Deutsche Oper Berlin
#theater #youngaudience
study with virtual instruments
(2015) for flute (doubling piccolo, bass flute), violin, piano, virtual drum kit, virtual hammond organ and electronics
15 minutes
world premiere: October 18, 2015, Kraków Academy of Music, electronic ID
#chamber
aleXXxX
(2015) for double bass, light sources, audio/video playback and live video
60 minutes
world premiere: June 17, 2015, Theater Oberhausen, Alexander Dawo
#solo
der offizielle
(2014) for performer with percussion instruments, joystick, webcam, low-fidelity gadgets, light sources and audio/video live electronics
19 minutes
world premiere: December 9, 2014, Cologne University of Music and Dance, Dirk Rothbrust
#solo
der sinn und das aussehen | the meaning and the appearance
(2014) one-person music theater for soprano with percussion instruments, objects, live electronics, light sources and audio/video playback by Eloain Lovis Hübner (composition) & Rick Reuther (texts)
35 minutes
world premiere (excerpts): May 8, 2015, SPOR Festival Aarhus
world premiere (complete): December 20, 2015, Kunsthaus Rhenania Cologne
#vocal #solo
and, well, with all this, i thought i was in the wrong place
(2012/2014) for accordion, piano and audio playback
4 minutes
world premiere: January 24, 2015, LOFT Cologne
#chamber
relaxed retro rock spots
(2011/2014) for clarinet, cello and piano
9 minutes
world premiere: November 28, 2014, Sammlung Falckenberg Hamburg, Trio Catch
#chamber
Hübner’s Listening Center
(2014) performance by Paul Hübner & Eloain Lovis Hübner with brass instruments, audio electronics and video
50 minutes
world premiere: September 13, 2014, Cologne
#theater #performance
Keine graue Box
(2014) performance with movement and audio electronics by Silvia Ehnis Pérez Duarte, Flore Alice Garabiol, Philine Herrlein, Valérie Kommer and Eloain Lovis Hübner
5:00 hours
world premiere: August 23, 2014, Tanzhaus NRW, Dusseldorf
#theater #performance
Gaming Without Money
(2014) interactive performance by Valérie Kommer & Eloain Lovis Hübner
15 minutes
world premiere: May 15, 2014, Cologne
#theater #performance
sky’s the sky’s the limit
(2014) for six percussionists
19 minutes
world premiere: July 19, 2014, Neuenkirchen/Lüneburg Heath
Commissioned by Musik 21 Niedersachsen
#ensemble
f*** trance f*** trance
(2013/14) for eight saxophones
12 minutes
world premiere: June 25, 2014, St. Maria im Kapitol, Cologne
Commissioned by Romanischer Sommer Köln
#ensemble
oftentimes your eyes mesmerize
(2013) for violin and accordion with cassette players
8 minutes
world premiere: June 23, 2014, Cologne University of Music and Dance
#chamber
3 neue love-popsongs
(2012) for four singers (soprano, alto, tenor, bass), keyboard/melodica, piano and cassette player
12 minutes
world premiere: October 17, 2013, Trossingen College of Music
#vocal #chamber
sweetieorpheus_27
(2012) music theater for 4 sopranos, 3 mezzo-sopranos, orchestra and audio playback
30 minutes
world premiere: July 5, 2013, Theater Aachen
#theater #opera
tselldt
(2011) for soprano (with toy piano and in-mouth loudspeaker), contrabass clarinet (doubling melodica) and audio playback
world premiere: February 4, 2012, Hanover University of Music, Drama and Media
#vocal #chamber
todtahbeiten, ferklumpn & multiplietzieren
(2011) for nine instruments
#ensemble
bigband jazz oder: wegen überfüllung der ladenkasse machen wir betriebsferien
(2011) for trombone
#solo
und die deren beiden erste tragisch beschatteten sätze eine thematische verwandtschaft
(2011) for piano with thunder sheet
world premiere: January 18, 2021, Cologne University of Music and Dance
#solo
catalogue d’extraterrestres desespérées
(2011) for a masked percussionist
world premiere: October 9, 2011, Hanover
#solo